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Seminario: “DOSTOIEVSKI. CONTEXTOS CULTURALES Y DERROTEROS" 2021 - Historial de revisiones
2026-07-22T07:47:54Z
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Male en 15:56 21 ago 2021
2021-08-21T15:56:59Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Revisión anterior</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revisión del 15:56 21 ago 2021</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<del class="diffchange diffchange-inline">0.2929in</del>;margin-right:0in;">'''Bibliografía complementaria:'''</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<ins class="diffchange diffchange-inline">0in</ins>;margin-right:0in;">'''Bibliografía complementaria:'''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Berdiáev, Nikolai (1997) “La idea rusa”, en VVAA. ''Rusia y Occidente.'' Madrid: Tecnos.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Berdiáev, Nikolai (1997) “La idea rusa”, en VVAA. ''Rusia y Occidente.'' Madrid: Tecnos.</div></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<del class="diffchange diffchange-inline">0.2929in</del>;margin-right:0in;">'''Bibliografía complementaria:'''</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<ins class="diffchange diffchange-inline">0in</ins>;margin-right:0in;">'''Bibliografía complementaria:'''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Berman, Marshall (1991). “San Petersburgo: el modernismo del subdesarrollo”. ''Todo lo sólido se desvanece en el aire'', México, Siglo XXI. </div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Berman, Marshall (1991). “San Petersburgo: el modernismo del subdesarrollo”. ''Todo lo sólido se desvanece en el aire'', México, Siglo XXI. </div></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Bajtín, Mijaíl (1998). “Del libro ‘Problemas de la obra de Dostoievski’”. ''Estética de la creación verbal.'' México: Siglo XXI.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Bajtín, Mijaíl (1998). “Del libro ‘Problemas de la obra de Dostoievski’”. ''Estética de la creación verbal.'' México: Siglo XXI.</div></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Gácheva, Anastasía (2018). “La filosofía de la historia y la escatología de Dostoievski en el contexto del pensamiento religioso-filosófico de fines del siglo XIX y principios del siglo XX”. ''Estudios Dostoievski ''Nº 1.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Gácheva, Anastasía (2018). “La filosofía de la historia y la escatología de Dostoievski en el contexto del pensamiento religioso-filosófico de fines del siglo XIX y principios del siglo XX”. ''Estudios Dostoievski ''Nº 1.</div></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Пушкин А.С. (1827) Из&nbsp;подборки «Отрывки из&nbsp;писем, мысли и&nbsp;замечания». Disponible en [http://editorium.ru/479/ http://editorium.ru/479/] [Pushkin, “Fragmentos de cartas, pensamientos y observaciones”.]''' '''</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Пушкин А.С. (1827) Из&nbsp;подборки «Отрывки из&nbsp;писем, мысли и&nbsp;замечания». Disponible en [http://editorium.ru/479/ http://editorium.ru/479/] [Pushkin, “Fragmentos de cartas, pensamientos y observaciones”.]''' '''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<del class="diffchange diffchange-inline">0.2929in</del>;margin-right:0in;">'''– '''Пушкин А.С. (1828) Ответ на статью в журнале «Атеней». Disponible en [http://www.rvb.ru/pushkin/01text/07criticism/02misc/1005.htm http://www.rvb.ru/pushkin/01text/07criticism/02misc/1005.htm] [Pushkin, “Respuesta al artículo en la revista ‘Ateneo’”]</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<ins class="diffchange diffchange-inline">0in</ins>;margin-right:0in;">'''– '''Пушкин А.С. (1828) Ответ на статью в журнале «Атеней». Disponible en [http://www.rvb.ru/pushkin/01text/07criticism/02misc/1005.htm http://www.rvb.ru/pushkin/01text/07criticism/02misc/1005.htm] [Pushkin, “Respuesta al artículo en la revista ‘Ateneo’”]</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Пушкин А.С. (1831) Письмо к издателю "Литературных прибавлений к "Русскому Инвалиду". Disponible en [http://www.lib.ru/LITRA/PUSHKIN/p6.txt_with-big-pictures.html http://www.lib.ru/LITRA/PUSHKIN/p6.txt_with-big-pictures.html] [Pushkin, Carta al editor de los “Apéndices literarios al periódico El Inválido Ruso”]</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Пушкин А.С. (1831) Письмо к издателю "Литературных прибавлений к "Русскому Инвалиду". Disponible en [http://www.lib.ru/LITRA/PUSHKIN/p6.txt_with-big-pictures.html http://www.lib.ru/LITRA/PUSHKIN/p6.txt_with-big-pictures.html] [Pushkin, Carta al editor de los “Apéndices literarios al periódico El Inválido Ruso”]</div></div></td></tr>
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Male
https://wikiletras.com.ar/index.php?title=Seminario:_%E2%80%9CDOSTOIEVSKI._CONTEXTOS_CULTURALES_Y_DERROTEROS%22_2021&diff=3593&oldid=prev
Male en 15:56 21 ago 2021
2021-08-21T15:56:15Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Revisión anterior</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revisión del 15:56 21 ago 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l20" >Línea 20:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;"></div><del class="diffchange diffchange-inline"># </del><div style="margin-left:0in;margin-right:0in;">'''Fundamentación y descripción'''</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;"></div><div style="margin-left:0in;margin-right:0in;">'''Fundamentación y descripción'''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l179" >Línea 179:</td>
<td colspan="2" class="diff-lineno">Línea 179:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Lotman Iuri (1993). “Sobre el ‘realismo’ de Gógol”. Material a proveer por el seminario.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Lotman Iuri (1993). “Sobre el ‘realismo’ de Gógol”. Material a proveer por el seminario.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">–Morillas, Jordi (2020). “La génesis de ''Crimen y castigo''”. En'' Estudios Dostoievski'', n.º 4 (julio-diciembre 2020).</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Morillas, Jordi (2020). “La génesis de ''Crimen y castigo''”. En'' Estudios Dostoievski'', n.º 4 (julio-diciembre 2020).</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Písariev, Dmitri (1981). “Bazárov”. Material a proveer por el seminario.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Písariev, Dmitri (1981). “Bazárov”. Material a proveer por el seminario.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l192" >Línea 192:</td>
<td colspan="2" class="diff-lineno">Línea 192:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">'''Bibliografía obligatoria:'''</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">'''Bibliografía obligatoria:'''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">–Dostoievski, Fiódor (1982). “Discurso sobre Pushkin”, en <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Obras completas''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, Madrid, Aguilar.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Dostoievski, Fiódor (1982). “Discurso sobre Pushkin”, en ''Obras completas'', Madrid, Aguilar.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Dostoievski, Fiódor (2006). “El Gran Inquisidor”. ''Los hermanos Karamázov. ''Buenos Aires: Colihue.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Dostoievski, Fiódor (2006). “El Gran Inquisidor”. ''Los hermanos Karamázov. ''Buenos Aires: Colihue.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l203" >Línea 203:</td>
<td colspan="2" class="diff-lineno">Línea 203:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.2929in;margin-right:0in;">'''Bibliografía complementaria:'''</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.2929in;margin-right:0in;">'''Bibliografía complementaria:'''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">–Gácheva, Anastasía (2018). “La filosofía de la historia y la escatología de Dostoievski en el contexto del pensamiento religioso-filosófico de fines del siglo XIX y principios del siglo XX”. <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Estudios Dostoievski ''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>Nº 1.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–Gácheva, Anastasía (2018). “La filosofía de la historia y la escatología de Dostoievski en el contexto del pensamiento religioso-filosófico de fines del siglo XIX y principios del siglo XX”. ''Estudios Dostoievski ''Nº 1.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–López Arriazu, Eugenio, “El alma rusa. A propósito del discurso sobre Pushkin”. En ''Ensayos Eslavos''. Buenos Aires: Dedalus.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">–López Arriazu, Eugenio, “El alma rusa. A propósito del discurso sobre Pushkin”. En ''Ensayos Eslavos''. Buenos Aires: Dedalus.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l213" >Línea 213:</td>
<td colspan="2" class="diff-lineno">Línea 213:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– AA. VV. (1976). Estudio complementario a la edición rusa de <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Los hermanos Karamázov,''<del class="diffchange diffchange-inline"><span style="color:#000000;"> </del>en Fiódor Mijáilovich Dostoievski, <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Pólnoie sobranie sochinienii [Obras completas]''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, Leningrad, Naúka.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– AA. VV. (1976). Estudio complementario a la edición rusa de ''Los hermanos Karamázov,'' en Fiódor Mijáilovich Dostoievski, ''Pólnoie sobranie sochinienii [Obras completas]'', Leningrad, Naúka.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Agamben, Giorgio (1988) ''Idea de la prosa''. Barcelona: Península.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Agamben, Giorgio (1988) ''Idea de la prosa''. Barcelona: Península.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l221" >Línea 221:</td>
<td colspan="2" class="diff-lineno">Línea 221:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Anderson, Benedict (2007). ''Comunidades imaginadas''. ''Reflexiones sobre el origen y la difusión del nacionalismo. ''México, FCE.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Anderson, Benedict (2007). ''Comunidades imaginadas''. ''Reflexiones sobre el origen y la difusión del nacionalismo. ''México, FCE.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>Bajtín, Mijaíl (1986). <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Problemas de la poética de Dostoievsky''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, México, FCE.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Bajtín, Mijaíl (1986). ''Problemas de la poética de Dostoievsky'', México, FCE.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Bajtín, Mijaíl (1998) ''Estética de la creación verbal.'' México: Siglo XXI.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Bajtín, Mijaíl (1998) ''Estética de la creación verbal.'' México: Siglo XXI.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l241" >Línea 241:</td>
<td colspan="2" class="diff-lineno">Línea 241:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Berman, Antoine (1999) ''La traduction et la lettre ou L’auberge du lointain.'' Paris: Du Seuil. </div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Berman, Antoine (1999) ''La traduction et la lettre ou L’auberge du lointain.'' Paris: Du Seuil. </div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– Berman, Marshall (1991). <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Todo lo sólido se desvanece en el aire''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, México, Siglo XXI. </div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Berman, Marshall (1991). ''Todo lo sólido se desvanece en el aire'', México, Siglo XXI. </div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Blok, Alexandr (1972). ''Un pedante sobre un poeta y otros textos'', Barcelona, Barral.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Blok, Alexandr (1972). ''Un pedante sobre un poeta y otros textos'', Barcelona, Barral.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l253" >Línea 253:</td>
<td colspan="2" class="diff-lineno">Línea 253:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Dostoiévskaia, Anna G., ''Dostoievski, mi marido'', Buenos Aires, CEAL, 1978.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Dostoiévskaia, Anna G., ''Dostoievski, mi marido'', Buenos Aires, CEAL, 1978.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– Dostoievski, Fiódor (1982). “Discurso sobre Pushkin”, en <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Obras completas''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, Madrid, Aguilar.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Dostoievski, Fiódor (1982). “Discurso sobre Pushkin”, en ''Obras completas'', Madrid, Aguilar.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Dostoievski, Fiódor (2004) ''Crimen y castigo. ''Buenos Aires: Colihue.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Dostoievski, Fiódor (2004) ''Crimen y castigo. ''Buenos Aires: Colihue.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l267" >Línea 267:</td>
<td colspan="2" class="diff-lineno">Línea 267:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Florenski, Pável (2005). ''La perspectiva invertida.'' Madrid, Siruela.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Florenski, Pável (2005). ''La perspectiva invertida.'' Madrid, Siruela.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>Földényi, László (2001). “Dostoievski lee a Hegel en Siberia y rompe a llorar”, <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Revista de Occidente''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, junio 2001. </div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Földényi, László (2001). “Dostoievski lee a Hegel en Siberia y rompe a llorar”, ''Revista de Occidente'', junio 2001. </div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Frank, Joseph (1986) ''Dostoievski. Los años de prueba 1850-1859''. México, FCE.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Frank, Joseph (1986) ''Dostoievski. Los años de prueba 1850-1859''. México, FCE.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– Freud, Sigmund (1968). “Dostoievsky y el parricidio”, en <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Obras Completas, ''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>trad. de López Ballesteros, Madrid, Alianza.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Freud, Sigmund (1968). “Dostoievsky y el parricidio”, en ''Obras Completas, ''trad. de López Ballesteros, Madrid, Alianza.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– Gácheva, Anastasía (2018). “La filosofía de la historia y la escatología de Dostoievski en el contexto del pensamiento religioso-filosófico de fines del siglo XIX y principios del siglo XX”. <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Estudios Dostoievski ''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>Nº 1.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Gácheva, Anastasía (2018). “La filosofía de la historia y la escatología de Dostoievski en el contexto del pensamiento religioso-filosófico de fines del siglo XIX y principios del siglo XX”. ''Estudios Dostoievski ''Nº 1.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Gógol, Nikolái'' ''(1983) ''Almas muertas''. Trad.: José Laín Entralgo. Barcelona: Bruguera. </div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Gógol, Nikolái'' ''(1983) ''Almas muertas''. Trad.: José Laín Entralgo. Barcelona: Bruguera. </div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l313" >Línea 313:</td>
<td colspan="2" class="diff-lineno">Línea 313:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Meschonnic, Henri (2009) ''Ética y política del traducir''. Buenos Aires: Leviatán.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Meschonnic, Henri (2009) ''Ética y política del traducir''. Buenos Aires: Leviatán.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– Morillas, Jordi (2020). “La génesis de ''Crimen y castigo''”. En'' Estudios Dostoievski'', n.º 4 (julio-diciembre 2020). </div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Morillas, Jordi (2020). “La génesis de ''Crimen y castigo''”. En'' Estudios Dostoievski'', n.º 4 (julio-diciembre 2020). </div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Morillas, Jordi (2020). “Fiódor Mijáilovich Dostoievski y su experiencia en la ''kátorga'' según el testimonio de Szymon Tokarzewski”. En'' Estudios Dostoievski'', n.º 4 (julio-diciembre 2020).</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Morillas, Jordi (2020). “Fiódor Mijáilovich Dostoievski y su experiencia en la ''kátorga'' según el testimonio de Szymon Tokarzewski”. En'' Estudios Dostoievski'', n.º 4 (julio-diciembre 2020).</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l327" >Línea 327:</td>
<td colspan="2" class="diff-lineno">Línea 327:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Saráskina L.I. (2011): “Todo se hizo realidad según Dostoievski”, prólogo a Vida de personas notables. Dostoievski. [Жизнь замечательных людей. Достоевский], Moscú, Molodáia Gvardia.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Saráskina L.I. (2011): “Todo se hizo realidad según Dostoievski”, prólogo a Vida de personas notables. Dostoievski. [Жизнь замечательных людей. Достоевский], Moscú, Molodáia Gvardia.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>Slonim, Marc (1975). <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''La literatura rusa''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, México, FCE. </div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Slonim, Marc (1975). ''La literatura rusa'', México, FCE. </div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– Steiner, George (2002), <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Tolstói o Dostoievski''<del class="diffchange diffchange-inline"><span style="color:#000000;"></del>, Madrid, Siruela.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Steiner, George (2002), ''Tolstói o Dostoievski'', Madrid, Siruela.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Tijan, Pablo (1952) ''Proceso de formación de las naciones eslavas''. Madrid: Ateneo.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Tijan, Pablo (1952) ''Proceso de formación de las naciones eslavas''. Madrid: Ateneo.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l335" >Línea 335:</td>
<td colspan="2" class="diff-lineno">Línea 335:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Tiniánov, Iuri (2010) ''El problema de la lengua poética.'' Buenos Aires: Dedalus.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Tiniánov, Iuri (2010) ''El problema de la lengua poética.'' Buenos Aires: Dedalus.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>Tolstói, Lev, Prólogo a <del class="diffchange diffchange-inline"><span style="color:#000000;"></del>''Guerra y paz''<del class="diffchange diffchange-inline"><span style="color:#000000;"> </del>(trad. Omar Lobos), material a proveer por el seminario.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Tolstói, Lev, Prólogo a ''Guerra y paz'' (trad. Omar Lobos), material a proveer por el seminario.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">– Uglik, Jacek (2020). “Fiódor Dostoievski y Alexander Herzen. Colisión de mundos”. En ''Estudios Dostoievski'', n.º 3 (enero-junio 2020). </div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Uglik, Jacek (2020). “Fiódor Dostoievski y Alexander Herzen. Colisión de mundos”. En ''Estudios Dostoievski'', n.º 3 (enero-junio 2020). </div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Universidad de Granada (2011) Actas del Primer Congreso de Rusística “Lengua rusa, visión de mundo y texto”. Granada: Universidad de Granada. Sección Departamental de Filología Eslava.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">– Universidad de Granada (2011) Actas del Primer Congreso de Rusística “Lengua rusa, visión de mundo y texto”. Granada: Universidad de Granada. Sección Departamental de Filología Eslava.</div></div></td></tr>
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