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Literatura Latinoamericana I "A" 2021 - Historial de revisiones
2026-07-22T10:35:34Z
Historial de revisiones de esta página en el wiki
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Male en 19:02 3 ago 2021
2021-08-03T19:02:25Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revisión del 19:02 3 ago 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l42" >Línea 42:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''AYUDANTE DE PRIMERA:''' Martín Sozzi</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''AYUDANTE DE PRIMERA:''' Martín Sozzi</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><span style="background-color:#ffffff;color:#1d2228;">Archivos, voces y repertorios en la Literatura Latinoamericana</span></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><span style="background-color:#ffffff;color:#1d2228;"><ins class="diffchange diffchange-inline">'''</ins>Archivos, voces y repertorios en la Literatura Latinoamericana<ins class="diffchange diffchange-inline">'''</ins></span></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Fundamentación y descripción'''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Fundamentación y descripción'''</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l169" >Línea 169:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;"><u>Sobre ''Visión de los vencidos''</u></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;"><u>Sobre ''Visión de los vencidos''</u></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">AAVV. Dossier <del class="diffchange diffchange-inline">{{anchor|Hlk71454951}} </del>''En los cincuenta años de ''Visión de los vencidos''. ''En ''Estudios de Cultura Náhuatl, ''40, pp. 380-404.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;">AAVV. Dossier <ins class="diffchange diffchange-inline"> </ins>''En los cincuenta años de ''Visión de los vencidos''. ''En ''Estudios de Cultura Náhuatl, ''40, pp. 380-404.</div></div></td></tr>
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<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l415" >Línea 415:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Martí, José (2010). Escenas Norteamericanas y otros textos de José Martí. Edición y prólogo de Ariela Schnirmajer. Buenos Aires: Corregidor.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Martí, José (2010). Escenas Norteamericanas y otros textos de José Martí. Edición y prólogo de Ariela Schnirmajer. Buenos Aires: Corregidor.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Martí, José (2007). Versos libres. En Obras completas. Edición crítica vol. 14: Poesía I. <del class="diffchange diffchange-inline">{{anchor|Hlk43898053}} </del>La Habana: Centro de Estudios Martianos (selección).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Martí, José (2007). Versos libres. En Obras completas. Edición crítica vol. 14: Poesía I. La Habana: Centro de Estudios Martianos (selección).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Marti, José. (2016-2019). Obras completas. La Habana: Centro de Estudios Martianos. https://www.clacso.org.ar/coleccion_jose_marti/</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Marti, José. (2016-2019). Obras completas. La Habana: Centro de Estudios Martianos. https://www.clacso.org.ar/coleccion_jose_marti/</div></td></tr>
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Male en 19:01 3 ago 2021
2021-08-03T19:01:19Z
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Male
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Male en 18:58 3 ago 2021
2021-08-03T18:58:58Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revisión del 18:58 3 ago 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l143" >Línea 143:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zamora, Margarita (1993). “Leer a Colón”. En Reading Columbus. Berkeley: University of California Press. [Trad. de J. Rodríguez y Vanina Ma. Teglia para la cátedra de Literatura Latinoamericana I-A.] </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zamora, Margarita (1993). “Leer a Colón”. En Reading Columbus. Berkeley: University of California Press. [Trad. de J. Rodríguez y Vanina Ma. Teglia para la cátedra de Literatura Latinoamericana I-A.] </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub><u>Sobre las ''Cartas'' de Hernán Cortés</u></sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub><u>Sobre las ''Cartas'' de Hernán Cortés</u></sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Añón, Valeria (2021). “Archivo y silencio: la maquinaria narrativa cortesiana en las Cartas de relación”. En María Jesús Benites (ed. y comp.); Loreley El Jaber y Valeria Añón (comps.), Modernidad, colonialidad y escritura (pp. 165-184). Tucumán: Edunt.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Añón, Valeria (2021). “Archivo y silencio: la maquinaria narrativa cortesiana en las Cartas de relación”. En María Jesús Benites (ed. y comp.); Loreley El Jaber y Valeria Añón (comps.), Modernidad, colonialidad y escritura (pp. 165-184). Tucumán: Edunt.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><sub>Clendinnen, Inga (1993). “'Fierce and Unnatural Cruelty': Cortés and the Conquest of Mexico”. En Stephen Greenblatt (comp.), ''New World Encounters ''(pp. 12-47). Berkeley: University of California Press. (Hay traducción.)</sub></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><sub>Clendinnen, Inga (1993). “'Fierce and Unnatural Cruelty': Cortés and the Conquest of Mexico”. En Stephen Greenblatt (comp.), ''New World Encounters ''(pp. 12-47). Berkeley: University of California Press. (Hay traducción.)</sub></div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub>Checa, Jorge (1996). “Cortés y el espacio de la conquista: la ''Segunda carta de relación''”, ''MLN (Hispanic Issue), 111'', 2, pp. 187-217.</sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub>Checa, Jorge (1996). “Cortés y el espacio de la conquista: la ''Segunda carta de relación''”, ''MLN (Hispanic Issue), 111'', 2, pp. 187-217.</sub></div></div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub><u>Sobre ''Brevísima relación de la destrucción de las Indias''</u></sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub><u>Sobre ''Brevísima relación de la destrucción de las Indias''</u></sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;"><span style="color:#222222;"><sub>Camacho, Jorge Luis (2002). “Meta-historia y ficción en la </span><span style="color:#222222;">''Brevísima relación de la destrucción de las Indias''</span><span style="color:#222222;">, de fray Bartolomé de las Casas”. </span><span style="color:#222222;">''Hispanófila''</span><span style="color:#222222;">, 134, pp. 37-47.</sub></span></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0in;margin-right:0in;"><span style="color:#222222;"><sub>Camacho, Jorge Luis (2002). “Meta-historia y ficción en la </span><span style="color:#222222;">''Brevísima relación de la destrucción de las Indias''</span><span style="color:#222222;">, de fray Bartolomé de las Casas”. </span><span style="color:#222222;">''Hispanófila''</span><span style="color:#222222;">, 134, pp. 37-47.</sub></span></div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l204" >Línea 204:</td>
<td colspan="2" class="diff-lineno">Línea 204:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub><u>Fuentes</u></sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub><u>Fuentes</u></sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub>Casas, Bartolomé de las (2017). ''Brevísima relación de la destrucción de las Indias''. Edición, prólogo y notas de Vanina Ma. Teglia y Guillermo I. Vitali. Buenos Aires: Corregidor.</sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub>Casas, Bartolomé de las (2017). ''Brevísima relación de la destrucción de las Indias''. Edición, prólogo y notas de Vanina Ma. Teglia y Guillermo I. Vitali. Buenos Aires: Corregidor.</sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l222" >Línea 222:</td>
<td colspan="2" class="diff-lineno">Línea 222:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.0000in;margin-right:0in;"><sub>Castro-Klarén, Sara (1996) “El Cuzco de Garcilaso: el espacio y el lugar del conocimiento”. ''Asedios a la heterogeneidad cultural. Libro de homenaje a Cornejo Polar.'' José Antonio Mazzotti y U. Juan Zevallos Aguilar, coordinadores. Filadelfia: Asociación Internacional de Peruanistas, pp. 135-72. </sub></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.0000in;margin-right:0in;"><sub>Castro-Klarén, Sara (1996) “El Cuzco de Garcilaso: el espacio y el lugar del conocimiento”. ''Asedios a la heterogeneidad cultural. Libro de homenaje a Cornejo Polar.'' José Antonio Mazzotti y U. Juan Zevallos Aguilar, coordinadores. Filadelfia: Asociación Internacional de Peruanistas, pp. 135-72. </sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub>Colombi, Beatriz (2016). "Del reinar al vasallaje: armonía y despojos en los ''Comentarios Reales''". ''Cuadernos Americanos'', 157, pp. 51-62.</sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub>Colombi, Beatriz (2016). "Del reinar al vasallaje: armonía y despojos en los ''Comentarios Reales''". ''Cuadernos Americanos'', 157, pp. 51-62.</sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.0000in;margin-right:0in;"><sub>Rodríguez Garrido, José A. (1995). “La identidad del enunciador en los ''Comentarios Reales''”. ''Revista Iberoamericana'', ''LXI'', 172/173, pp. 371-383.</sub></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.0000in;margin-right:0in;"><sub>Rodríguez Garrido, José A. (1995). “La identidad del enunciador en los ''Comentarios Reales''”. ''Revista Iberoamericana'', ''LXI'', 172/173, pp. 371-383.</sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub>Seed, Patricia (1991). “Failing to Marvel: Atahualpa´s Encounter with the Word”. ''Latin American Research Review'', ''26'', 1, pp. 7-32. (Hay traducción).</sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub>Seed, Patricia (1991). “Failing to Marvel: Atahualpa´s Encounter with the Word”. ''Latin American Research Review'', ''26'', 1, pp. 7-32. (Hay traducción).</sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub>Zamora, Margarita (2018). “Filología, traducción y hermenéutica en los Comentarios del Inca”. En ''Lenguaje, autoridad e Historia indígena en los Comentarios reales de los incas''. Traducción de Juan Rodríguez Piñeiro y Vanina M. Teglia. Lima: CELACP, Latinoamericana eds.</sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub>Zamora, Margarita (2018). “Filología, traducción y hermenéutica en los Comentarios del Inca”. En ''Lenguaje, autoridad e Historia indígena en los Comentarios reales de los incas''. Traducción de Juan Rodríguez Piñeiro y Vanina M. Teglia. Lima: CELACP, Latinoamericana eds.</sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.0000in;margin-right:0in;"><sub>Página sobre el Inca Garcilaso de la Vega. Biblioteca Americana, Cervantes Virtual. Disponible en </sub>[http://www.cervantesvirtual.com/portales/inca_garcilaso_de_la_vega/ http://www.cervantesvirtual.com/portales/inca_garcilaso_de_la_vega/]</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.0000in;margin-right:0in;"><sub>Página sobre el Inca Garcilaso de la Vega. Biblioteca Americana, Cervantes Virtual. Disponible en </sub>[http://www.cervantesvirtual.com/portales/inca_garcilaso_de_la_vega/ http://www.cervantesvirtual.com/portales/inca_garcilaso_de_la_vega/]</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub><u>Fuentes</u></sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub><u>Fuentes</u></sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;"><sub>Garcilaso de la Vega, Inca (1976). ''Comentarios reales. ''Caracas: Biblioteca Ayacucho. (“Libro I” y selección).</sub></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;"><sub>Garcilaso de la Vega, Inca (1976). ''Comentarios reales. ''Caracas: Biblioteca Ayacucho. (“Libro I” y selección).</sub></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l355" >Línea 355:</td>
<td colspan="2" class="diff-lineno">Línea 355:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Suárez León, Carmen (2010). “Diálogos del minotauro y la mariposa en Escenas Norteamericanas y Versos Libres”. En Mauricio Núñez Rodríguez, et. al. Aproximaciones a las Escenas Norteamericanas (pp. 87-126). La Habana: Centro de Estudios Martianos.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Suárez León, Carmen (2010). “Diálogos del minotauro y la mariposa en Escenas Norteamericanas y Versos Libres”. En Mauricio Núñez Rodríguez, et. al. Aproximaciones a las Escenas Norteamericanas (pp. 87-126). La Habana: Centro de Estudios Martianos.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<del class="diffchange diffchange-inline">0008in</del>;margin-right:0in;">Weinberg, Liliana (2018). "José Martí: cronista de lo invisible". ''Revista CELEHIS'', N. 36: (105-123).</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:-0.<ins class="diffchange diffchange-inline">0000in</ins>;margin-right:0in;">Weinberg, Liliana (2018). "José Martí: cronista de lo invisible". ''Revista CELEHIS'', N. 36: (105-123).</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Sobre Rubén Darío</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Sobre Rubén Darío</div></td></tr>
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