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Literatura Alemana 2021 - Historial de revisiones
2026-07-22T16:50:50Z
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Male en 19:23 12 mar 2021
2021-03-12T19:23:16Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Revisión anterior</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revisión del 19:23 12 mar 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l348" >Línea 348:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">Bollenbeck, G., ''Theodor Storm''. Frankfurt a/M: Insel, 1988.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm;">Bollenbeck, G., ''Theodor Storm''. Frankfurt a/M: Insel, 1988.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Brehmer, Karl, “Determination oder Freiheit. Zur Problematik der Prädestination in C. F. Meyers Novelle ''Das Amulett''”. En: ''Wirkendes Wort ''35 (1985), pp. 18-38.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Brehmer, Karl, “Determination oder Freiheit. Zur Problematik der Prädestination in C. F. Meyers Novelle ''Das Amulett''”. En: ''Wirkendes Wort ''35 (1985), pp. 18-38.</div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Burello, M. G., “Wagner en la encrucijada. ''Rienzi'' y la materia histórica.” En ''Actas de las XII Jornadas de AAG''. Bs. As.: UBA, FFyL, 2003.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Burello, M. G., “Wagner en la encrucijada. ''Rienzi'' y la materia histórica.” En ''Actas de las XII Jornadas de AAG''. Bs. As.: UBA, FFyL, 2003.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">Clifford, A. Bernd, ''Theodor Storm’s Craft of Fiction''. Chapel Hill: Univ. of North Carolina Press, 1963.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm;">Clifford, A. Bernd, ''Theodor Storm’s Craft of Fiction''. Chapel Hill: Univ. of North Carolina Press, 1963.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">Ebersold, G., ''Politik und Gesellschaftskritik in den Novellen Theodor Storms''. Frankfurt a/M, etc.: Peter Lang, 1981.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm;">Ebersold, G., ''Politik und Gesellschaftskritik in den Novellen Theodor Storms''. Frankfurt a/M, etc.: Peter Lang, 1981.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Freund, W., “Theodor Storm: Die phantastische Novelle am Wendepunkt”. En: –, ''Literarische Phantastik: Die phantastische Novelle von Tieck bis Storm''. Berlín y Colonia: Kohlhammer, 1990, 143-147.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Freund, W., “Theodor Storm: Die phantastische Novelle am Wendepunkt”. En: –, ''Literarische Phantastik: Die phantastische Novelle von Tieck bis Storm''. Berlín y Colonia: Kohlhammer, 1990, 143-147.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">Lukács, Georg, “Espíritu burgués y ''l´art pour l´art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Lukács, Georg, “Espíritu burgués y ''l´art pour l´art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Paine, Thomas, ''Theory and Criticism of the Novella''. Bonn: Bouvier, 1979.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><div style="margin-left:0.6cm;margin-right:0cm;"></ins>Paine, Thomas, ''Theory and Criticism of the Novella''. Bonn: Bouvier, 1979.<ins class="diffchange diffchange-inline"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Paulin, R., ''Theodor Storm''. Múnich: Beck, 1992.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><div style="margin-left:0.6cm;margin-right:0cm;"></ins>Paulin, R., ''Theodor Storm''. Múnich: Beck, 1992.<ins class="diffchange diffchange-inline"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Vedda, Miguel, “Introducción”. En: Storm, Th., ''Un doble y otras novelas cortas''. Selección, introd., trad. y notas de Miguel Vedda. Buenos Aires: Gorla, 2007, 5-57.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Vedda, Miguel, “Introducción”. En: Storm, Th., ''Un doble y otras novelas cortas''. Selección, introd., trad. y notas de Miguel Vedda. Buenos Aires: Gorla, 2007, 5-57.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">–, “Las pesadillas de la razón. Crimen, justicia y comunidad en la narrativa breve de Conrad Ferdinand Meyer”. En: Meyer, Conrad Ferdinand, ''El disparo desde el púlpito. La jueza''. Ed. al cuidado de Carola Pivetta y Miguel Vedda. Introd. de Miguel Vedda. Trads. y notas de Alfredo Bauer y Carola Pivetta. Buenos Aires: Gorla, 2014, pp. 5-35.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm;">–, “Las pesadillas de la razón. Crimen, justicia y comunidad en la narrativa breve de Conrad Ferdinand Meyer”. En: Meyer, Conrad Ferdinand, ''El disparo desde el púlpito. La jueza''. Ed. al cuidado de Carola Pivetta y Miguel Vedda. Introd. de Miguel Vedda. Trads. y notas de Alfredo Bauer y Carola Pivetta. Buenos Aires: Gorla, 2014, pp. 5-35.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">Vinçon, H., ''Theodor Storm in Selbstzeugnissen und Billdokumenten''. Reinbeck: Rowohl, 1973.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm;">Vinçon, H., ''Theodor Storm in Selbstzeugnissen und Billdokumenten''. Reinbeck: Rowohl, 1973.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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Male
https://wikiletras.com.ar/index.php?title=Literatura_Alemana_2021&diff=3216&oldid=prev
Male en 19:19 12 mar 2021
2021-03-12T19:19:11Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Revisión anterior</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revisión del 19:19 12 mar 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l349" >Línea 349:</td>
<td colspan="2" class="diff-lineno">Línea 349:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Bollenbeck, G., ''Theodor Storm''. Frankfurt a/M: Insel, 1988.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Bollenbeck, G., ''Theodor Storm''. Frankfurt a/M: Insel, 1988.</div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><div style="margin-left:0.6cm;margin-right:0cm;"><span style="color:#000000;">Brehmer, Karl, “Determination oder Freiheit. Zur Problematik der Prädestination in C. F. Meyers Novelle ''Das Amulett''”. En: ''Wirkendes Wort ''35 (1985), pp. 18-38.</div></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<del class="diffchange diffchange-inline">1</del>.<del class="diffchange diffchange-inline">251cm</del>;margin-right:0cm;">Burello, M. G., “Wagner en la encrucijada. ''Rienzi'' y la materia histórica.” En ''Actas de las XII Jornadas de AAG''. Bs. As.: UBA, FFyL, 2003.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<ins class="diffchange diffchange-inline">0</ins>.<ins class="diffchange diffchange-inline">6cm;margin-right:0cm;">Brehmer, Karl, “Determination oder Freiheit. Zur Problematik der Prädestination in C. F. Meyers Novelle ''Das Amulett''”. En: ''Wirkendes Wort ''35 (1985), pp. 18-38.</div></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><div style="margin-left:0.6cm</ins>;margin-right:0cm;">Burello, M. G., “Wagner en la encrucijada. ''Rienzi'' y la materia histórica.” En ''Actas de las XII Jornadas de AAG''. Bs. As.: UBA, FFyL, 2003.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Clifford, A. Bernd, ''Theodor Storm’s Craft of Fiction''. Chapel Hill: Univ. of North Carolina Press, 1963.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Clifford, A. Bernd, ''Theodor Storm’s Craft of Fiction''. Chapel Hill: Univ. of North Carolina Press, 1963.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l357" >Línea 357:</td>
<td colspan="2" class="diff-lineno">Línea 359:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Ebersold, G., ''Politik und Gesellschaftskritik in den Novellen Theodor Storms''. Frankfurt a/M, etc.: Peter Lang, 1981.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Ebersold, G., ''Politik und Gesellschaftskritik in den Novellen Theodor Storms''. Frankfurt a/M, etc.: Peter Lang, 1981.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">Freund, W., “Theodor Storm: Die phantastische Novelle am Wendepunkt”. En: –, ''Literarische Phantastik: Die phantastische Novelle von Tieck bis Storm''. Berlín y Colonia: Kohlhammer, 1990, 143-147.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Freund, W., “Theodor Storm: Die phantastische Novelle am Wendepunkt”. En: –, ''Literarische Phantastik: Die phantastische Novelle von Tieck bis Storm''. Berlín y Colonia: Kohlhammer, 1990, 143-147.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;"><span style="color:#000000;">Lukács, Georg, “Espíritu burgués y ''l´art pour l´art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;"><span style="color:#000000;">Lukács, Georg, “Espíritu burgués y ''l´art pour l´art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l365" >Línea 365:</td>
<td colspan="2" class="diff-lineno">Línea 367:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Paulin, R., ''Theodor Storm''. Múnich: Beck, 1992.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Paulin, R., ''Theodor Storm''. Múnich: Beck, 1992.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm<del class="diffchange diffchange-inline">;"><span style="color:#000000</del>;">Vedda, Miguel, “Introducción”. En: Storm, Th., ''Un doble y otras novelas cortas''. Selección, introd., trad. y notas de Miguel Vedda. Buenos Aires: Gorla, 2007, 5-57.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Vedda, Miguel, “Introducción”. En: Storm, Th., ''Un doble y otras novelas cortas''. Selección, introd., trad. y notas de Miguel Vedda. Buenos Aires: Gorla, 2007, 5-57.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">–, “Las pesadillas de la razón. Crimen, justicia y comunidad en la narrativa breve de Conrad Ferdinand Meyer”. En: Meyer, Conrad Ferdinand, ''El disparo desde el púlpito. La jueza''. Ed. al cuidado de Carola Pivetta y Miguel Vedda. Introd. de Miguel Vedda. Trads. y notas de Alfredo Bauer y Carola Pivetta. Buenos Aires: Gorla, 2014, pp. 5-35.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">–, “Las pesadillas de la razón. Crimen, justicia y comunidad en la narrativa breve de Conrad Ferdinand Meyer”. En: Meyer, Conrad Ferdinand, ''El disparo desde el púlpito. La jueza''. Ed. al cuidado de Carola Pivetta y Miguel Vedda. Introd. de Miguel Vedda. Trads. y notas de Alfredo Bauer y Carola Pivetta. Buenos Aires: Gorla, 2014, pp. 5-35.</div></div></td></tr>
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Male
https://wikiletras.com.ar/index.php?title=Literatura_Alemana_2021&diff=3215&oldid=prev
Male en 19:16 12 mar 2021
2021-03-12T19:16:10Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revisión del 19:16 12 mar 2021</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.501cm;margin-right:0cm;"></div><del class="diffchange diffchange-inline">* </del><div style="margin-left:0.501cm;margin-right:0cm;">'''Contenidos: '''</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.501cm;margin-right:0cm;"></div><div style="margin-left:0.501cm;margin-right:0cm;">'''Contenidos: '''</div></div></td></tr>
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<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l86" >Línea 86:</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.501cm;margin-right:0cm;"></div><del class="diffchange diffchange-inline">* </del><div style="margin-left:0.501cm;margin-right:0cm;">'''Bibliografía, filmografía y/o discografía obligatoria, complementaria y fuentes, si correspondiera: '''</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.501cm;margin-right:0cm;"></div> <div style="margin-left:0.501cm;margin-right:0cm;">'''Bibliografía, filmografía y/o discografía obligatoria, complementaria y fuentes, si correspondiera: '''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l294" >Línea 294:</td>
<td colspan="2" class="diff-lineno">Línea 294:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;"><span style="color:#000000;">Bloch, Ernst, “Das Wirtshaus im Spessart”. En: –, </span><span style="color:#000000;">''Literarische Aufsätze''</span><span style="color:#000000;">. Frankfurt/M: Suhrkamp, 1965.</span></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;"><span style="color:#000000;">Bloch, Ernst, “Das Wirtshaus im Spessart”. En: –, </span><span style="color:#000000;">''Literarische Aufsätze''</span><span style="color:#000000;">. Frankfurt/M: Suhrkamp, 1965.</span></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<del class="diffchange diffchange-inline">1</del>.<del class="diffchange diffchange-inline">251cm</del>;margin-right:0cm;"><span style="color:#000000;">Casadesús Bordoy, Alejandro, “La importancia del criminal en los orígenes de la novela policíaca alemana”. </span><span style="color:#000000;">En: </span><span style="color:#000000;">''Revista de Filología Alemana ''</span><span style="color:#000000;">vol. 18 (2010), pp. 99-119.</span></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<ins class="diffchange diffchange-inline">0</ins>.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm;"><span style="color:#000000;">Casadesús Bordoy, Alejandro, “La importancia del criminal en los orígenes de la novela policíaca alemana”. </span><span style="color:#000000;">En: </span><span style="color:#000000;">''Revista de Filología Alemana ''</span><span style="color:#000000;">vol. 18 (2010), pp. 99-119.</span></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<del class="diffchange diffchange-inline">1</del>.<del class="diffchange diffchange-inline">251cm</del>;margin-right:0cm;"><span style="color:#000000;">Hienger, Jörg, “Die Domestizierung des Unheimlichen. Romantische Schauerphantastik und ihr Funktionswandel in den </span><span style="color:#000000;">''Märchenalmanachen''</span><span style="color:#000000;"> Wilhelm Hauffs”. </span><span style="color:#000000;">En: </span><span style="color:#000000;">''Fragmente''</span><span style="color:#000000;"> 11 (1984), pp. 30-43. </span></div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<ins class="diffchange diffchange-inline">0</ins>.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm<ins class="diffchange diffchange-inline">;"><span style="color:#000000</ins>;"><span style="color:#000000;">Hienger, Jörg, “Die Domestizierung des Unheimlichen. Romantische Schauerphantastik und ihr Funktionswandel in den </span><span style="color:#000000;">''Märchenalmanachen''</span><span style="color:#000000;"> Wilhelm Hauffs”. </span><span style="color:#000000;">En: </span><span style="color:#000000;">''Fragmente''</span><span style="color:#000000;"> 11 (1984), pp. 30-43. </span></div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Lukács, Georg, “Espíritu burgués y ''l’art pour l’art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Lukács, Georg, “Espíritu burgués y ''l’art pour l’art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l349" >Línea 349:</td>
<td colspan="2" class="diff-lineno">Línea 349:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Bollenbeck, G., ''Theodor Storm''. Frankfurt a/M: Insel, 1988.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Bollenbeck, G., ''Theodor Storm''. Frankfurt a/M: Insel, 1988.</div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<ins class="diffchange diffchange-inline">0</ins>.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm<ins class="diffchange diffchange-inline">;"><span style="color:#000000</ins>;">Brehmer, Karl, “Determination oder Freiheit. Zur Problematik der Prädestination in C. F. Meyers Novelle ''Das Amulett''”. En: ''Wirkendes Wort ''35 (1985), pp. 18-38.</div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:<del class="diffchange diffchange-inline">1</del>.<del class="diffchange diffchange-inline">251cm</del>;margin-right:0cm;">Brehmer, Karl, “Determination oder Freiheit. Zur Problematik der Prädestination in C. F. Meyers Novelle ''Das Amulett''”. En: ''Wirkendes Wort ''35 (1985), pp. 18-38.</div></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:1.251cm;margin-right:0cm;">Burello, M. G., “Wagner en la encrucijada. ''Rienzi'' y la materia histórica.” En ''Actas de las XII Jornadas de AAG''. Bs. As.: UBA, FFyL, 2003.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:1.251cm;margin-right:0cm;">Burello, M. G., “Wagner en la encrucijada. ''Rienzi'' y la materia histórica.” En ''Actas de las XII Jornadas de AAG''. Bs. As.: UBA, FFyL, 2003.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l358" >Línea 358:</td>
<td colspan="2" class="diff-lineno">Línea 357:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Ebersold, G., ''Politik und Gesellschaftskritik in den Novellen Theodor Storms''. Frankfurt a/M, etc.: Peter Lang, 1981.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">Ebersold, G., ''Politik und Gesellschaftskritik in den Novellen Theodor Storms''. Frankfurt a/M, etc.: Peter Lang, 1981.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">Freund, W., “Theodor Storm: Die phantastische Novelle am Wendepunkt”. En: –, ''Literarische Phantastik: Die phantastische Novelle von Tieck bis Storm''. Berlín y Colonia: Kohlhammer, 1990, 143-147.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm<ins class="diffchange diffchange-inline">;"><span style="color:#000000</ins>;">Freund, W., “Theodor Storm: Die phantastische Novelle am Wendepunkt”. En: –, ''Literarische Phantastik: Die phantastische Novelle von Tieck bis Storm''. Berlín y Colonia: Kohlhammer, 1990, 143-147.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">Lukács, Georg, “Espíritu burgués y ''l´art pour l´art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm<ins class="diffchange diffchange-inline">;"><span style="color:#000000</ins>;">Lukács, Georg, “Espíritu burgués y ''l´art pour l´art'' (Theodor Storm)”. En: ''El alma y las formas''. Trad. de Manuel Sacristán. Barcelona: Grijalbo, 1982, 99-132.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Paine, Thomas, ''Theory and Criticism of the Novella''. Bonn: Bouvier, 1979.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Paine, Thomas, ''Theory and Criticism of the Novella''. Bonn: Bouvier, 1979.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l366" >Línea 366:</td>
<td colspan="2" class="diff-lineno">Línea 365:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Paulin, R., ''Theodor Storm''. Múnich: Beck, 1992.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Paulin, R., ''Theodor Storm''. Múnich: Beck, 1992.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<del class="diffchange diffchange-inline">318cm</del>;margin-right:0cm;">Vedda, Miguel, “Introducción”. En: Storm, Th., ''Un doble y otras novelas cortas''. Selección, introd., trad. y notas de Miguel Vedda. Buenos Aires: Gorla, 2007, 5-57.</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.<ins class="diffchange diffchange-inline">6cm</ins>;margin-right:0cm<ins class="diffchange diffchange-inline">;"><span style="color:#000000</ins>;">Vedda, Miguel, “Introducción”. En: Storm, Th., ''Un doble y otras novelas cortas''. Selección, introd., trad. y notas de Miguel Vedda. Buenos Aires: Gorla, 2007, 5-57.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">–, “Las pesadillas de la razón. Crimen, justicia y comunidad en la narrativa breve de Conrad Ferdinand Meyer”. En: Meyer, Conrad Ferdinand, ''El disparo desde el púlpito. La jueza''. Ed. al cuidado de Carola Pivetta y Miguel Vedda. Introd. de Miguel Vedda. Trads. y notas de Alfredo Bauer y Carola Pivetta. Buenos Aires: Gorla, 2014, pp. 5-35.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.318cm;margin-right:0cm;">–, “Las pesadillas de la razón. Crimen, justicia y comunidad en la narrativa breve de Conrad Ferdinand Meyer”. En: Meyer, Conrad Ferdinand, ''El disparo desde el púlpito. La jueza''. Ed. al cuidado de Carola Pivetta y Miguel Vedda. Introd. de Miguel Vedda. Trads. y notas de Alfredo Bauer y Carola Pivetta. Buenos Aires: Gorla, 2014, pp. 5-35.</div></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l402" >Línea 402:</td>
<td colspan="2" class="diff-lineno">Línea 401:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Adorno, Th., “Apuntes sobre Kafka”. En: ''Crítica cultural y sociedad''. Trad. de M. Sacristán. Barcelona: Ariel, 1970, 131-173.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Adorno, Th., “Apuntes sobre Kafka”. En: ''Crítica cultural y sociedad''. Trad. de M. Sacristán. Barcelona: Ariel, 1970, 131-173.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Albrecht, Wolfgang: „Arno Schmidt: Utopías de advertencia y parodias de utopía“. En: ''Arno Schmidt''. Stuttgart / Weimar: Metzler, 1998. [''Trad. de la cátedra'']</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><div style="margin-left:0.6cm;margin-right:0cm;"><span style="color:#000000;"></ins>Albrecht, Wolfgang: „Arno Schmidt: Utopías de advertencia y parodias de utopía“. En: ''Arno Schmidt''. Stuttgart / Weimar: Metzler, 1998. [''Trad. de la cátedra'']<ins class="diffchange diffchange-inline"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Arnold, H. L. (ed.), ''Text + Kritik 20/20a. Arno Schmidt''. 4. Auflage. Munich, 1986. </div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Arnold, H. L. (ed.), ''Text + Kritik 20/20a. Arno Schmidt''. 4. Auflage. Munich, 1986. </div></div></td></tr>
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Male en 19:10 12 mar 2021
2021-03-12T19:10:03Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Revisión anterior</td>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l450" >Línea 450:</td>
<td colspan="2" class="diff-lineno">Línea 450:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Pollet, Jean-Jacques (ed.), ''Leo Perutz, ou l’ironie de l’histoire''. Rouen: Centre d’Etudes et de Recherches Autrichiennes, 1993.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Pollet, Jean-Jacques (ed.), ''Leo Perutz, ou l’ironie de l’histoire''. Rouen: Centre d’Etudes et de Recherches Autrichiennes, 1993.</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>=<del class="diffchange diffchange-inline">==== </del>Pollet, Jean-Jacques, “Ecritures fantastiques de l’histoire: Karl Hans Strobl, Alexander Lernet-Holenia”. En: Austriaca 27 (1988), 31-44. <del class="diffchange diffchange-inline">=====</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><div style</ins>=<ins class="diffchange diffchange-inline">"margin-left:0.6cm;margin-right:0cm;"></ins>Pollet, Jean-Jacques, “Ecritures fantastiques de l’histoire: Karl Hans Strobl, Alexander Lernet-Holenia”. En: Austriaca 27 (1988), 31-44. <ins class="diffchange diffchange-inline"></div></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Pollet, Jean-Jacques, ''L’exotisme fantastique de Hanns Heinz Ewers''. En: Roussel, Geneviève (ed.), ''L’impossible retour. La figure du Heimkehrer dans les lettres et les arts allemands et scandinaves du Xxe siècle. ''Lille: Univ. de Lille, 1988, 23-37.</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.6cm;margin-right:0cm;">Pollet, Jean-Jacques, ''L’exotisme fantastique de Hanns Heinz Ewers''. En: Roussel, Geneviève (ed.), ''L’impossible retour. La figure du Heimkehrer dans les lettres et les arts allemands et scandinaves du Xxe siècle. ''Lille: Univ. de Lille, 1988, 23-37.</div></div></td></tr>
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Male en 19:09 12 mar 2021
2021-03-12T19:09:16Z
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* </del><div style="margin-left:0.501cm;margin-right:0cm;">'''Fundamentación y descripción'''</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.501cm;margin-right:0cm;">'''Fundamentación y descripción'''</div></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.501cm;margin-right:0cm;"></div><del class="diffchange diffchange-inline">* </del><div style="margin-left:0.501cm;margin-right:0cm;">'''Objetivos:'''</div></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="margin-left:0.501cm;margin-right:0cm;"></div> <div style="margin-left:0.501cm;margin-right:0cm;">'''Objetivos:'''</div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Analizar un ''corpus'' de manifestaciones de la literatura fantástica alemana desde la Ilustración tardía hasta la segunda mitad del siglo XX.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Analizar un ''corpus'' de manifestaciones de la literatura fantástica alemana desde la Ilustración tardía hasta la segunda mitad del siglo XX.</div></td></tr>
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Male en 19:07 12 mar 2021
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